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Her poignantly warm, rich, soulful voice lovingly and profoundly penetrates the soul of all who are blessed to hear her. From the first note, the listener becomes spellbound.

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Not only her voice, but her delivery captivates. Janine Carter was introduced to gospel, Jazz and blues at a very early age by her parents and grandmother. This Pennsylvania native cannot remember a time when music was not a part of her very existence. She began her musical journey like so many contemporary artists as a member of the choir at her church in Aliquippa, PA.

She also had the opportunity to expand on her solo performances as a member of the Bach Choir of PA which performed some of Broadways most exciting musicals. Janine continued to use the gift she was given to perform at various functions and special events until she relocated to the Washington, DC Metropolitan area in the summer of 1988.

During the summer of 1996 Janine performed her debut concert in the DC area at New Genesis Baptist Church, this celestial songbird has been flying ever since. Zara McFarlane’s debut album, 2011’s Until Tomorrow, came garlanded with rave reviews and a MOBO award nomination, and heralded a major new talent in the world of British jazz. The follow-up, also recorded for Gilles Peterson’s Brownswood Recordings, is a more ambitious collection that draws from many more influences: from the deep spiritual jazz of Pharoah Sanders to dub and reggae.“With the first album,” says Zara, “I was trying to create a cohesive sound, one that used the same line up and the same instrumentation throughout. This time the focus is on the songwriting, and the arrangements are tailor-made to suit each song. There’s a lot more variation – around half of the tracks are duets, and I use more than one band. If there is a unified, cohesive theme, it’s in the lyrics: the songs represent a journey through a woman’s life.”Gilles Peterson has been a key figure in Zara’s career.

They first met when she was performing with the house music project Bopstar at the Southport Weekender in May 2010, where she gave him an EP of acoustic jazz songs she’d recorded. Within a few months, an impressed Peterson had signed Zara to his Brownswood Recordings label, and that EP eventually provided the basis for her debut album Until Tomorrow.“Gilles has been an incredibly enthusiastic person to work with,” says Zara. “With the first album, I’d recorded most of it before he’d signed me, but this time he’s been more involved in its creation and made suggestions. He’s passionate about all kinds of music, not just jazz, which has allowed me to experiment with different sounds.”. Dylan Meek is one of the up and coming talents of the modern music scene.

He's a virtuoso pianist, fresh sounding composer and soulful singer. His first album illuminates all his talents and is the first shot across the bow of his upcoming long and successful career. In the 21st century jazz is blessed with yet another golden age of young jazz pianists. Still in their twenties are stars like Eldar Djangirov, Jonathan Batiste, and Aaron Diehl, while slightly older veterans like Bill Charlap, Ted Rosenthal, Renee Rosnes, and Brad Meldau, delight audiences every time they sit behind a keyboard.

Even in such August company, Dylan Meek stands out. Dylan is one of the most original and versatile pianists to come along in the last decade, a true keeper of the Jazz Flame. He has thrilled audiences at Harlem's Lenox Lounge and every other venue he performs at in New York City with his glorious performances blending Blues, BeBop, Stride, Gospel, Boogie Woogie, and Swing, a capsule history of jazz piano styles of the past and the present. Blu Ray Xp Driver 5 3 0 1 X86 Emulator here. When people look up and see a young, blond, Texas born, musician still in his early twenties, there is a moment of shock.

Even the noisiest crowd stops and listens, blown away by the energy, fire, spirit, and originality of Dylan's solos.This Debut disc features originals (Passion Fruit, And When, Two Sweet) and standards ( Gee, Baby, Ain't I Good to You, When you wish upon a Star, Wail, and Yesterdays). Accompanied by master musicians Ben Wolfe on bass, and Gregory Hutchinson on drums, at the top of their game, Meek gives forth a program so exciting that one can hardly sit still.

A fantastic set by a musician who will undoubtedly influence generations of pianists and musicians to come. And When by Dylan Meek, Gregory Hutchinson, and Ben Wolfe. The Fredericksburg Area Museum and Cultural Center is pleased to present a summer long concert series, Sounds of Summer. The concert series is geared toward attracting residents and visitors from all walks of life, regardless of taste and style, access and experience. This series is meant to showcase local and regional musicians performing various genres of music including jazz, country, bluegrass, blues, classical, and pop. All concerts will be free of charge and open to the public.